Canali’s spring 2026 collection found its tempo via Italian Gran Turismo. “It’s not about the racetrack or Formula 1,” said Stefano Canali, “but about a more elevated inspiration: the kind of vintage automobile that, like our garments, is a synthesis of craftsmanship, detail, and timeless design.” The nod to Monza, where the brand was imagined, was subtle yet resonant: woven leather jackets reminiscent of steering wheel covers shifted into braided crochet knitwear echoing the gloves of classic drivers. Softness and ease defined the silhouette, proposing garments that adapt not through compromise, but through quiet reinvention. For this reason, the broken suit—Canali’s modern take on formalwear—offered matching tops and trousers reimagined in outerwear and overshirt shapes.
That spirit of refined engineering carried through the silhouettes. “You won’t find literal references,” Canali said. “Instead, it’s about textures, techniques, and elements borrowed and reinterpreted.” Denim was approached not through cotton, but through superfine 150s wool or cashmere blends that mimic its look while elevating its feel. “We’re taking a commodity and turning it into a luxury item,” said Canali, referring to both the materials and the garments they become. Elsewhere, the signature Nuvola trench reappeared in ultra-light suede with a soft knit lining, while a new summer-weight poplin joined the collection under the family of featherlight constructions. The set design echoed an Italian square, with a 1960s Porsche 911 car.
The Freccia symbol—Canali’s arrow motif—was a recurring graphic in knitwear and accessories. This season it was scaled up and down, rendered in jacquard or woven leather, and featured even in sabots. The interiors of vintage cars also the piping and stitch work seen throughout, subtly linking garments and driving culture without ever veering into theme dressing. Color followed the soft elegance of the collection’s mood: shades of sand, tan, tobacco, and rust mingled with denim blue, periwinkle, and cream. Accessories rounded out the journey, with soft loafers, suede sneakers, capacious bags and crocheted beanies: “A nod to the artisans who build the cars as much as to those who wear the clothes,” Canali added.
What the brand offers isn’t nostalgia, but system thinking in the tradition of Italian design: how things are built, how they move, and how they last. From the modularity of the broken suit to the way steering wheel braids becoming leather jackets, this collection translated cultural memory into design logic.